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15.01.–29.02.2012
2. Reflection

A second approach for considering photographic realism is to define photography as a “reflective medium.” In a theoretical context, this term (“Reflexionsmedium”) featured prominently in Walter Benjamin’s dissertation Der Begriff der Kunstkritik in der deutschen Romantik (The Concept of Art Criticism in German Romanticism). Benjamin writes, “Reflection constitutes the absolute and constitutes it as a medium” (“Die Reflexion konstituiert das Absolute und sie konstituiert es als ein Medium”). [Walter Benjamin, Der Begriff der Kunstkritik in der deutschen Romantik, ed. Uwe Steiner, p. 39.] He continues: as the absolute, reflection is a “metaphysical credo” (“metaphysisches Credo”) that claims to be the “interpretation of all things real” (“Deutung alles Wirklichen“)[p. 67]. What for Benjamin is the absolute, is, in my opinion, replaced by the concept of the real or realism in photography. mehr

Veröffentlicht: 22.01.2012
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