Tags, anachronism
15.01.–28.02.2014
1. Plus ça change, plus c’est la même chose?

Happy new year everyone on “still searching”.

This is my first real attempt at writing a blog, and I want to thank the Fotomuseum Winterthur for inviting me. I have to beg readers to bear with me while I adjust my academic style to something more conversational, hoping indeed to continue the lively conversation on “Still Searching”. I say continue, because even though I mostly want to concentrate on history — how do we, how should we, write histories of photography today, in 2014? — I would like to interact with previous bloggers here, especially Marvin Heiferman’s very suggestive comments and questions in the previous series.

One big question is about the continuing sense that we are witnessing an “explosion” of images, linked with the digital revolution. Marvin commented on this in his post on “The River”.  This is obvious, and yet it is something troubling, historically, because we have a very large record of previous expressions of the same sense — descriptions and interrogations about “a flood of pictures”, since at least the 1850s. mehr

Veröffentlicht: 14.01.2014
13 Kommentare
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15.09.–31.10.2013
2. Monumental Bling

It feels like a million new shows have just opened in Chelsea for the new season, and several of them chime perfectly with my theme for this blog: the retrospectivity of contemporary art, particularly the current fascination/obsession with Modernist art, architecture and design. In this post I’m going to focus on David Maljkovic at Metro Pictures, but also The Propeller Group at Lombard Fried; there are other shows too, but I’m going to save them for next week’s blog. mehr

Veröffentlicht: 24.09.2013
4 Kommentare