Tags, art history
23.04.–15.07.2020
3. Lowering the Sights?

Right at the beginning of my blog series, I asked: Do you read histories of photography? Having myself in mind, I suggested an answer: rather not, at least not from cover to cover. In my second post, I focused on a particular model of writing photo history that I attributed to Beaumont Newhall and his interest in an art historical point of view. Despite forty years of criticism directed at this model, it seems to be hard to conceive alternatives. mehr

Veröffentlicht: 04.06.2020
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2. Beyond Newhall?

We don’t have to beat around the bush: the photo historian, curator, and university teacher Beaumont Newhall has not enjoyed an excellent reputation for quite a while now. 1982 seemed to mark a watershed for him. mehr

Veröffentlicht: 06.05.2020
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15.09.–31.10.2013
4. Displaying Research

Last week I promised a discussion of Goshka Macuga, whose new show at Andrew Kreps Gallery is yet another example of the retrospectivity trend I’ve been tracking in these blog posts. Macuga’s work synthesizes a number of points that addressed in previous weeks: the obsession with modernism, the archival character of contemporary installation art, and the display of information and research. mehr

Veröffentlicht: 11.10.2013
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