Tags, Freud
01.06.–15.07.2013
4. Sharing Seeing

“I am looking at eyes that looked at the Emperor.”

I am citing Roland Barthes, from the opening of his book on photography, Camera Lucida. I want my post this week—a shorter post than usual, a set of questions or ponderings more than an essay—to act as a kind of postscript to last week’s entry.

I intimated there that photography invokes a rethinking of vision, of the look and of the gaze. Surely this is well-trodden territory. But is it exhausted? Does it need to be re-opened? Last week, my subject was the irreconcilability at the heart of photographic seeing, the non-coincidence of the gaze in photography as one of its most essential features. But there is of course another set of relations attached to the photographic gaze that needs further reflection. I am thinking now not of non-coincidence, but of doubling; I am thinking of what I want to call the recursive structure of photographic sight that non-coincidence spawns. mehr

Veröffentlicht: 02.07.2013
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2. Theory versus Instinct

Thank you Prateek, David, Ray, Martin and Stuart for your varied responses. With each I am tempted to take the blog in a different direction; but that might take promiscuity a little too far!

The question of ‘theory’ comes up, in different ways, in the responses of both David and Stuart, and I found David’s notion of the blurring of lines between theory and literature, especially in the way Phillips reads Freud and Winnicott, particularly alluring and useful. I have always found Barthes’s Lover’s Discourse and Incidents more inspiring than Camera Lucida, for photographers as well as writers on photography – and inspiring in a more oblique, tangential way. (They could be read as Barthes’s great ballads of sexual dependency.)  mehr

Veröffentlicht: 07.03.2012
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