Tags, hip hop
2. Towards a Theory of the Zoopolitical Unconscious

There are utopian spaces knitted into the fabric of the seemingly pessimistic film La Haine.1 One famous scene in La Haine condenses this “fleeting utopia”2 more then any other moment in the film: Hubert packages and smokes weed in his bedroom, listening to “That Loving Feeling,” sung by Isaac Hayes, and looks outside the window of his “rabbit hutch” (cage à lapins – as the identical flats of the cité are called). His gaze falls onto the inhabitants of the banlieue below. While the sound of a police helicopter immerses the social landscape in a tense mode of being watched by unfriendly eyes, Hubert’s gaze arrives at another window. Here we see a DJ, Cut Killer, positioning the loudspeakers by the window to sound outwards into the space between the buildings. The non-admission of young migrant men into discotheques is a recurring theme in banlieue films3 and also later in La Haine; here, the loudspeakers transform the open space of the banlieue into a grand dance floor.4Cut Killer stages an ingenious mix with samples of U.S. hip-hop artist KRS-One’s “Sound of the Police,” French rap formation Supreme NTM’s “Nique La Police” and Edith Piaf’s notorious “Je ne regrette rien.” mehr

Veröffentlicht: 27.06.2015
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15.09.–31.10.2013
2. Monumental Bling

It feels like a million new shows have just opened in Chelsea for the new season, and several of them chime perfectly with my theme for this blog: the retrospectivity of contemporary art, particularly the current fascination/obsession with Modernist art, architecture and design. In this post I’m going to focus on David Maljkovic at Metro Pictures, but also The Propeller Group at Lombard Fried; there are other shows too, but I’m going to save them for next week’s blog. mehr

Veröffentlicht: 24.09.2013
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