Tags, humanitarian
06.03.–30.04.2017
1. Photography and Migration: Keywords

To consume international news today is to experience one facet of photography’s relationship to human migration. Daily we confront photographs of overcrowded boats and trains; life preservers and backpacks, with or without their human users; fences, tents, and other spaces of containment or restriction; outstretched feet and hands; young children in the arms of parents or strangers; anguished, angry, vacant faces; and countless bodies arranged in lines, standing still or moving forward. mehr

Veröffentlicht: 06.03.2017
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1. The Problematic Politics of Paul Strand

The recent retrospective exhibition of Paul Strand’s photographs, organized by the Philadelphia Museum of Art to celebrate its purchase of more than 3000 prints and lantern slides from the Paul Strand Archive at the Aperture Foundation and coming to the Fotomuseum Winterthur in March, provides an ideal moment to think about Strand’s contribution and how he has been fashioned as a master of “modernist” photography (if not the slippery status of not-for-profit institutions that sell donated works to raise funds, perhaps the subject of another blog). More particularly, my interest derives from the ongoing debates about Strand’s politics and its importance to his work. At the heart of these debates, I would argue, are critical assumptions not only about what “political photography” looks like, but about how we have defined the winners and losers in our efforts to write a history of avant-garde, twentieth-century photography. mehr

Veröffentlicht: 01.02.2015
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