Tags, Jeff Wall
01.06.–15.07.2013
2. The Philosophers

And I ask: How did the beauty of that hair,
those eyes, beguile our forebears?
How did that mouth kiss, to which desire
curls up senseless as smoke without fire?

Thus Walter Benjamin breaks into poetry, citing the writing of Stefan George, in the 1931 essay “Little History of Photography”—this essay so strangely titled, sharing its self-stated size and density and intensity, we might say, with the object of its analysis, with photography itself—its images formerly miniaturized and condensed. What is a “Little History,” I’ve always wondered? The best I have come up with is that Benjamin’s is a text that wants to correspond with its object, an essay that wants to be like photography itself. mehr

Veröffentlicht: 11.06.2013
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5. Popular, not Populist

My apologies for the extended silence. I have been putting the finishing touches to a book about the relation between popular culture, art and photography, which will also be the subject of this blog entry.

It seems generally accepted now that photography became a modern medium of art in the 1920s. This was when it gave up its resistance to the widespread industrial basis of photography (Pictorialism is thought to have typified that resistance) and came into a close or parallel relation to the medium’s various social functions. Photography triumphed artistically by remaking, diverting, re-presenting or otherwise contemplating its ‘applied’ forms such as the document, the film still, the advertisement, the commercial portrait and the archival image. mehr

Veröffentlicht: 27.05.2013
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01.06.–14.07.2012
1. What Has Photography Done?

In order to grasp what photography can do as an art today, I want to start with looking back, asking ourselves the question: what has photography done so far? What relevant lessons can we learn from photography’s past? Before which carts has photography been put – so to say – ever since it was invented? What intentions has it served, both within the art world and outside of it, in its relation to society? Reflecting on photography’s historical trajectory as an artistic medium is helpful when one wishes to imagine what photography’s future roles can be. mehr

Veröffentlicht: 31.05.2012
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5. The Tyranny of Context

I have been looking at two things together. First, the excellent Duke University website that collects the photographs, handmade photobooks and notebooks of the photographer, William Gedney (1932-1989), who made a large body of work in India during two extended visits in 1969-71 and 1979-80. Second, the catalogue of the big "India show" last year at the Pompidou Centre, Paris, called Paris-Delhi-Bombay... mehr

Veröffentlicht: 28.03.2012
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