Tags, Man Ray
01.06.–15.07.2013
5. Image Couple

Of all the arcana produced by our collective obsession with Roland Barthes’ theory of photography in the book Camera Lucida, by the endless exegesis and investigation this text on photography seems to inspire, I find the following the most impressive. Buried in a footnote two-thirds of the way to the end of Eduardo Cadava and Paola Cortés-Rocca’s essay “Notes on Love and Photography,” a text first published in October magazine a few years ago, we read: mehr

Veröffentlicht: 16.07.2013
1 Kommentare
...
5. Popular, not Populist

My apologies for the extended silence. I have been putting the finishing touches to a book about the relation between popular culture, art and photography, which will also be the subject of this blog entry.

It seems generally accepted now that photography became a modern medium of art in the 1920s. This was when it gave up its resistance to the widespread industrial basis of photography (Pictorialism is thought to have typified that resistance) and came into a close or parallel relation to the medium’s various social functions. Photography triumphed artistically by remaking, diverting, re-presenting or otherwise contemplating its ‘applied’ forms such as the document, the film still, the advertisement, the commercial portrait and the archival image. mehr

Veröffentlicht: 27.05.2013
7 Kommentare