Tags, neoliberal
2. The Problems of Profiting from Internet Pollution

At the end of 2017, I attended and participated in an international conference on internet content moderation, All Things in Moderation, at the University of California, Los Angeles, organized by my long-time research collaborator, Dr. Sarah T. Roberts, an authority on commercial content moderation. This conference was the first of its kind, bringing in stakeholders for public conversations that reflected the concerns of industry, activists, content moderation workers, journalists, academics, and policy makers. In today’s blog post, I want to talk about the ethical dimensions of regulating the internet and digital media platforms, whether by content moderation, algorithms and automated decision-making systems, or by public policy. mehr

Veröffentlicht: 08.01.2018
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1. Undocumented: ‘Intensification, Contraction and Localization’

In the week that President Trump tried to pass off assorted white supremacists and storm troopers as equivalent to anti-fascists, an exhibition of photographs commemorating the ‘Battle of Lewisham’ in 1977 opened in Goldsmith College in the South London borough of Lewisham. In August 1977, massed anti-fascists confronted the far-right National Front. The clash in Lewisham was a decisive moment in halting the rise of the Nazi National Front in the UK. mehr

Veröffentlicht: 07.09.2017
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4. Dreams and Deserters of Aroofa, Tar Beach

Imagine if Ice-T, the notorious rapper of the track “Cop Killer” were a cop. 1 That, in fact, has been the case for the last 16 years – at least in his role as police detective Odafin Tutuola in one of the most successful U.S. television series of all time: Law & Order: Special Victims Unit. While Tutuola is the second-longest-serving cast member, it is only in the handful of episodes focusing on the only black member of the elite squad chasing rape victims that some information about his personal background is revealed. 2 One of these rare episodes is titled “Rooftop.” 3 Here we learn about Tutuola’s age indirectly: he was six years old when the 1968 riots following the assassination of Martin Luther King, Jr. hit the hood. And it is another “King” who will be found responsible for the rape and killing of black, underage girls on the rooftops of Harlem at the end of this episode: Malik “King” Harris, a music promoter, who uses his rhetorical skills to seduce women by pretending to enhance their career in the music business. While engaging in the plot of finding the perpetrator, this episode actually deals with the status of race relations after the American civil rights movement with a complex play of zootropes involved. mehr

Veröffentlicht: 28.07.2015
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3. Excursus: Politics of the Victim

I mentioned in my first post that the rise of documentary discourses between the World Wars resulted from the political need to visibilize the working class in the new media culture corresponding to the era of mass democracy. Both in its “from above” (state/liberal/Griersonian/FSA) and in its “from below” (social movements/revolutionary/worker-photography) versions, documentary rhetoric contributed to this political need, in part through the dissemination of an iconography of a victimized working class.

The production of a poetics of dispossession is a key contribution from documentary methods emerging from the 1930s to social struggles for justice and democracy. Beyond the specific historical prewar context, I think this poetics was a central contribution to the 20th century universal citizenship democratic imaginary, which finds precisely a key historical iconic source in the worker-photography documentary project. I mean, the iconography of a fragile and precarious life is constitutive not only of the project of proletarian documentary, but is in the root of the poetic construction of democracy and justice. mehr

Veröffentlicht: 19.06.2014
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