Tags, New Objectivity
15.01.–29.02.2012
1. Imperfection

In looking at both contemporary exhibitions as well as photographs as they are used in everyday aesthetic applications, one notices that imperfection plays a key role. Far removed from the ideals of the Group f/64, New Objectivity, or even the Bechers and their school, to name a few positions, photographs that consciously employ technical errors have become common sense in photography. There are photographers who use deficient cameras; Lomography aficionados sell their photographs along with this type of camera in stores in major cities; snapshots are in demand, and blurriness is the aesthetic rule. Imperfection is the new ideal of contemporary photography, even if celebrated, staged, and represented in a kind of perfection. My thesis is that imperfection serves as the contemporary modus of the real in photography. mehr

Veröffentlicht: 11.01.2012
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