Tags, photo history
4. Another Threshold

Edouard Manet’s Portrait of Emile Zola, from 1868, currently on view at the Royal Academy in London in the Manet: Portraying Life exhibition is usually interpreted as a testimony of the friendship between the artist and a writer who was one of his strongest supporters in those years. The painting shows Zola seated sideways at his work table, surrounded by papers, objects, and pictures that point to this relationship, and, it has been noted, to Manet’s own tastes: a decorated screen on the left, a pamphlet bearing Manet’s name on the desk, and above, in the top right corner of the picture, a Japanese print and a lithograph of Velasquez partly concealed by a reproduction of Manet’s own Olympia. It is to these last three objects I would like to direct my attention, in order to think about a technological and aesthetic threshold a century-and-a-half back that may or may not serve as a model for the relationship between analogue and digital photography today. mehr

Veröffentlicht: 28.03.2013
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01.11.–15.12.2012
6. Reflections on the Effect of Photography on the Sciences

In this last blog I want to turn the conversation toward something that has lately occupied me in my writing and thinking about photography and photographic practice. Many of the arguments put forward in the previous posts are deeply informed by the notion that photography is not passive. mehr

Veröffentlicht: 13.12.2012
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