Tags, post-photography
01.05.–15.06.2015
1. Welcome to the Anthropocene!

"In a single lifetime we have grown into a phenomenal global force. We move more sediment and rock annually than all natural processes such as erosion and rivers. We manage three quarters of all land outside the ice sheets. Greenhouse gas levels this high have not been seen for over one million years. Temperatures are increasing. We have made a hole in the ozone layer. We are losing biodiversity. Many of the world’s deltas are sinking due to damming, mining and other causes. Sea level is rising. Ocean acidification is a real threat. We are altering Earth’s natural cycles. We have entered the Anthropocene, a new geological epoch dominated by humanity."

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Veröffentlicht: 05.05.2015
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1. Photography and Photographs

My first post will be quite long but I will make up for it with shorter subsequent posts. I’m hoping they will add up to an essay on a single theme: the relation between photography in general and photographs in particular, although this may change in response to comments and contributions as we go.

I begin with some thoughts about how Still Searching has developed since it launched last year, and what this might say about the 'Online Discourse on Photography’, as it is subtitled. Back in January 2012 I was invited to be a co-blogger for the first two contributors, Bernd Stiegler and Aveek Sen. Since then I have watched with interest. The discussions have ranged far and wide but I note a polarization between thinking about ‘photography’, which most contributors seem to feel is too complex and contradictory to be a unified field (without quite giving up on the term all together) and considerations of ‘photographs’ (this or that image or specific project). mehr

Veröffentlicht: 14.04.2013
16 Kommentare
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01.06.–14.07.2012
5. Photography and Humanity

In the catalogue essay to the 1981 exhibition he curated at MoMA under the title Before Photography, Peter Galassi traces photography’s origins in relation to the history of Western painting. Much more than being the offspring from a fruitful juncture of scientific, cultural, and economic determinations, Galassi argues, photography is the final, perfected result of centuries-long pictorial efforts to depict the world. The photograph, he writes, possesses an inherently modern “pictorial syntax of immediate, synoptic perceptions and discontinuous, unexpected forms.” mehr

Veröffentlicht: 09.07.2012
10 Kommentare