Tags, sexism
4. Robots, Race, and Gender

Last week, I attended a meeting organized by Gendered Innovations at Stanford University in Northern California. While there, I was thinking about the algorithmically-driven software that will be embedded in anthropomorphized computers – or robots – that will be entering the market soon. In this post, I want to offer a provocation, and suggest that we continue to gather interdisciplinary scholars to engage in research that asks questions about the re-inscribing of gender in both the software and hardware.  mehr

Veröffentlicht: 30.01.2018
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1. Engineering Beyond Bias: It’s Time To Call the Experts

This month, data scientist Cathy O’Neil caused a twitter storm when she alleged that academics are “asleep at the wheel” when it comes to critiquing artificial intelligence and algorithms and their impact in society. Within 24 hours, academics from the United States and Europe began to weigh in with evidence to the contrary, citing studies, conferences, scholars, and academic departments that have given more than three decades to the study of such. mehr

Veröffentlicht: 06.12.2017
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3. Excursus: Politics of the Victim

I mentioned in my first post that the rise of documentary discourses between the World Wars resulted from the political need to visibilize the working class in the new media culture corresponding to the era of mass democracy. Both in its “from above” (state/liberal/Griersonian/FSA) and in its “from below” (social movements/revolutionary/worker-photography) versions, documentary rhetoric contributed to this political need, in part through the dissemination of an iconography of a victimized working class.

The production of a poetics of dispossession is a key contribution from documentary methods emerging from the 1930s to social struggles for justice and democracy. Beyond the specific historical prewar context, I think this poetics was a central contribution to the 20th century universal citizenship democratic imaginary, which finds precisely a key historical iconic source in the worker-photography documentary project. I mean, the iconography of a fragile and precarious life is constitutive not only of the project of proletarian documentary, but is in the root of the poetic construction of democracy and justice. mehr

Veröffentlicht: 19.06.2014
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