Tags, spiritualistic photography
15.01.–29.02.2012
6. Invisibility

Perhaps photographs stemming from worlds invisible to the human eye are precisely those that we tend to perceive as real. The realm of the unseen is often the most “real.” It is a sphere that we endow with such trust due to the appearance of its images, that we not only allow ourselves to be guided by such photographs but we also use them to make consequential decisions. mehr

Veröffentlicht: 20.02.2012
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1. Imperfection

In looking at both contemporary exhibitions as well as photographs as they are used in everyday aesthetic applications, one notices that imperfection plays a key role. Far removed from the ideals of the Group f/64, New Objectivity, or even the Bechers and their school, to name a few positions, photographs that consciously employ technical errors have become common sense in photography. There are photographers who use deficient cameras; Lomography aficionados sell their photographs along with this type of camera in stores in major cities; snapshots are in demand, and blurriness is the aesthetic rule. Imperfection is the new ideal of contemporary photography, even if celebrated, staged, and represented in a kind of perfection. My thesis is that imperfection serves as the contemporary modus of the real in photography. mehr

Veröffentlicht: 11.01.2012
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