Tags, The Civil Contract of Photography
01.06.–14.07.2012
5. Photography and Humanity

In the catalogue essay to the 1981 exhibition he curated at MoMA under the title Before Photography, Peter Galassi traces photography’s origins in relation to the history of Western painting. Much more than being the offspring from a fruitful juncture of scientific, cultural, and economic determinations, Galassi argues, photography is the final, perfected result of centuries-long pictorial efforts to depict the world. The photograph, he writes, possesses an inherently modern “pictorial syntax of immediate, synoptic perceptions and discontinuous, unexpected forms.” mehr

Veröffentlicht: 09.07.2012
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3. Aesthetic Ruptures

On June 20, 2012, at 7 p.m., Fotomuseum Winterthur will screen Renzo Martens’s Episode III - Enjoy Poverty (2008). For several years, I have been researching (and lecturing on) issues – related to photography and beyond – addressed in this film, which was shot in the Democratic Republic of the Congo. This has been especially the case within the framework of a research project that T.J. Demos (University College London) and I have been jointly working on. Entitled “In and Out of Brussels: Aesthetics / Histories / Politics Between Africa and Europe,” this project investigates how the figuration of Africa in films such as Episode III confronts Europe – in particular Western Europe – with the image it is keen to uphold of itself. The first chapter of the book that is the outcome of this project (forthcoming this fall) is entirely devoted to Episode III. mehr

Veröffentlicht: 18.06.2012
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