Tags, trope
5. Godfeathers and Ghetto Doves

In my previous blog post, it was a pigeon fancier that exonerated the innocent ex-convict Leon Tate, and a bite that exposed the wannabe music producer Malik “King” Harris as the wanted sexual predator who used the New York rooftops as his hunting grounds. The narrative dreamwork of this episode of Law & Order: SVU shows an even deeper bite mark of reality if we follow the zootropes at play even further – they lead to another “Malik”: Malik Abdul Aziz, the legendary box champion and pigeon fancier better known as Mike Tyson. Tyson, a former undisputed heavyweight world champion, was disqualified in 1997 for biting his opponent Evander Holyfield on both ears. Five years before that, Tyson was sentenced for the rape of Desiree Washington in one of the most publicized U.S. court cases of the 1980s and 1990s. 1 mehr

Veröffentlicht: 04.08.2015
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3. Online Image Behavior, Where Photographs Live Today

Whereas the relation between reality and representation was a key concern of classical photography, now, as photography has become digital, the focus has shifted from this single relation to a multiplicity of relations that extend from a photograph. Value is no longer primarily derived from the special relation between the object in front of the lens and the way it is depicted in the photograph, but it is generated by the multiplicities of image visualizations and variations branching off from the initial moment of capture.1Part of this value is also accrued through the generation of metadata. This is the central point of Katrina Sluis and Daniel Rubinstein’s paper titled “Notes on the Margins of Metadata; Concerning the Undecidability of the Digital Image.” In this article, the authors claim that meaning and consequently value is not generated “through indexicality or representation but through the aggregation and topologies of data.” Daniel Rubinstein and Katrina Sluis (2013) “Notes on the Margins of Metadata; Concerning the Undecidability of the Digital Image,” Photographies 6 (1), pp. 151–158. http://ualresearchonline.arts.ac.uk/6238/1/DR_KS_Notes_on_the_Margins_of_Metadata.pdf When uploaded, as the artist Kari Altmann aptly describes this process, “the image might aim to move more anonymously in a swarm of similar content. mehr

Veröffentlicht: 08.04.2015
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15.09.–31.10.2013
4. Displaying Research

Last week I promised a discussion of Goshka Macuga, whose new show at Andrew Kreps Gallery is yet another example of the retrospectivity trend I’ve been tracking in these blog posts. Macuga’s work synthesizes a number of points that addressed in previous weeks: the obsession with modernism, the archival character of contemporary installation art, and the display of information and research. mehr

Veröffentlicht: 11.10.2013
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