Tags, white cube
5. Remnants of the Index: Hanging on to Photographic Values – The Installation Shot

Having reflected on the selfie and how it connects to the canonical qualities attributed to the analogue photograph, in this last blog post, which concludes my series of posts for the “still searching” blog, I will discuss the installation shot as a second example of how traditional values associated with the classic photographic image continue to live on as part of online culture. mehr

Veröffentlicht: 27.04.2015
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4. Heart of Darkness

The 1960s are dark and phantasmagoric, like an ambiguous terrain vague or “nowhere land” in the periodization of photographic history. I’m not free from that uncertainty about the interpretation of this complex decade. It seems like a moment when the past was not quite over and the future had yet to start. Such ambiguity is evident if we compare Steichen’s The Bitter Years with Szarkowski’s New Documents. Both exhibitions were created within only five years of each other, yet stand for two different historical eras in the same decade. In a way, The Bitter Years is the last hurrah of prewar modernism, a living fossil that represents the peak and the end of the 1920-30s’ innovations. mehr

Veröffentlicht: 29.06.2014
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