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3. Here are Lions

In ancient Roman maps, terra incognita at the edge of the Empire were marked with the notation hinc sunt leones – “here are lions”. Specific zootopes, animal-places as places of or for animals, are always connected to certain zootropes, animal metaphors and animal images. This is also the case for unknown places, to which the Roman maps seem to attest.

People, through their historically changing material and ideological practices, are part of this complex situation – along with animals and their practices. Animals thwart not only our dreams but also our bedrooms. They populate utopias and heterotopias, are assigned to certain topologies, and transcend them. Animals are ignored and loved, segregated and caged in, but nevertheless build relationships – with humans and other animals, architectures and cities, environments and ecologies. Werner Herzog’s film The Cave of Forgotten Dreams from 2010 gravitates poetically around this relationship in its search for “ecstatic truth” while dealing with the Chauvet Cave drawings in France. Dating back an estimated 30,000 years, the cave paintings are twice as old as any other visual artifacts of human history. Both the birth of man and the birth of art are depicted as one and the same act – a moment that supposedly was inextricably linked to animals and images of animals.

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Published: 15.07.2015
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5. Popular, not Populist

My apologies for the extended silence. I have been putting the finishing touches to a book about the relation between popular culture, art and photography, which will also be the subject of this blog entry.

It seems generally accepted now that photography became a modern medium of art in the 1920s. This was when it gave up its resistance to the widespread industrial basis of photography (Pictorialism is thought to have typified that resistance) and came into a close or parallel relation to the medium’s various social functions. Photography triumphed artistically by remaking, diverting, re-presenting or otherwise contemplating its ‘applied’ forms such as the document, the film still, the advertisement, the commercial portrait and the archival image. more

Published: 27.05.2013
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2. Welsh Water

One of the pictures that I always come back to when thinking about object photography is a black and white image by the artist Jean-Luc Moulène entitled Bi-Fixe, 7 September 2003. It shows two PET bottles of mineral water from Wales sold under the brand Ty Nant, which have been laid flat onto a medium-colored background and photographed directly from above so as to avoid distortion. more

Published: 11.03.2013
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