Tag, aestheticism
4. If Images Could Speak

In a recent contribution to the collection Documentary Across Disciplines, based on a series of events held at the Haus der Kulturen der Welt in Berlin between 2010 and 2014, Christopher Pinney begins his essay, entitled “Bruises and Blushes: Photography ‘Beyond’ Anthropology”, with a quotation from Barthes’ Camera Lucida: “Society is concerned to tame the Photograph, to temper the madness which keeps threatening to explode in the face of whoever looks at it”. more

Published: 17.06.2016
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16.04.–31.05.2014
4. Whitewash: Artist and Models

When one reads this passage [from Martinique by Michel Cournot] a dozen times and lets oneself go; that is, abandons oneself to the movement of its images—one is no longer aware of the Negro but only of a penis; the Negro is eclipsed. He is turned into a penis. He is a penis. (Frantz Fanon: Black Skin, White Masks)1Fanon, Black Skin, White Masks, (London: Pluto Classics, 1986) p. 169-70. more

Published: 12.05.2014
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1. Two Radically Disjunct Approaches

This is the first of five blogs I will be writing for the Fotomuseum Winterthur and, as it happens, the first I have ever written. But because almost everything I write is done on commission, the daunting freedom provided by this kind of blog (“write anything on photography”) is more intimidating than exhilarating. Given such freewheeling editorial liberty, I had to decide whether to orient this first blog to the “general,” or to the “particular.” Both approaches have their problems. As soon as photography is invoked as a generality, that is, as an abstraction (as though its technologies, uses, and practices could be considered one thing), differences are flattened, history disappears, context vanishes. But to write about a particular photographer, body of work, or specific exhibition, seemed too close generically to a journalistic review and a blog need not simply ape the conventional form of arts journalism. more

Published: 15.04.2014
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