Tag, Cartier-Bresson
01.06.–14.07.2012
5. Photography and Humanity

In the catalogue essay to the 1981 exhibition he curated at MoMA under the title Before Photography, Peter Galassi traces photography’s origins in relation to the history of Western painting. Much more than being the offspring from a fruitful juncture of scientific, cultural, and economic determinations, Galassi argues, photography is the final, perfected result of centuries-long pictorial efforts to depict the world. The photograph, he writes, possesses an inherently modern “pictorial syntax of immediate, synoptic perceptions and discontinuous, unexpected forms.” more

Published: 09.07.2012
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5. The Tyranny of Context

I have been looking at two things together. First, the excellent Duke University website that collects the photographs, handmade photobooks and notebooks of the photographer, William Gedney (1932-1989), who made a large body of work in India during two extended visits in 1969-71 and 1979-80. Second, the catalogue of the big "India show" last year at the Pompidou Centre, Paris, called Paris-Delhi-Bombay... more

Published: 28.03.2012
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15.01.–29.02.2012
5. Form

Form might seem to be the absolute worst candidate as a means of reflecting on and mapping out photographic realism. But isn’t this simply a reflexive response based on an interpretive tradition that associates form with simulation and the formless snapshot with the captured moment as evidence? On the one side is an entire tradition extending from the difficulty in controlling the overwhelming richness of details in the early phase of the medium, to snapshots, press photography and social documentary. On the other is the opposite, an approach working with controlled, well-composed images (such as those of Rejlander or Peach Robinson), the golden mean, or painterly parameters. One the one side is the unpredictability of the moment, which for this very reason is perceived as being “realistic”. On the other is the imperative to control form, which is therefore viewed as “art” and not as “nature” or “reality.” more

Published: 13.02.2012
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