Tag, convention
15.09.–31.10.2013
4. Displaying Research

Last week I promised a discussion of Goshka Macuga, whose new show at Andrew Kreps Gallery is yet another example of the retrospectivity trend I’ve been tracking in these blog posts. Macuga’s work synthesizes a number of points that addressed in previous weeks: the obsession with modernism, the archival character of contemporary installation art, and the display of information and research. more

Published: 11.10.2013
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5. Toward a Museum of Convention

Last week’s post concerned itself with the academy as a mode of distribution for aesthetic discourse and how the inclusion of art within higher education has the potential to shift the understanding of intellectual research and debate, specifically by forcing intellectual discourse to come to terms with its own monetization. Before going further, I think I should address what I mean by the use of the phrase “aesthetic discourse.” I mean not only that which is written or spoken about aesthetics (this is really secondary, and significant only when it shifts the conditions of aesthetic production). But primarily I mean communications or debates that happen through aesthetics. more

Published: 19.05.2012
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2. Notes on Photography and Loss

On the long flight from Los Angeles to London I undertook last week (which at the time of this posting going live, I will be completing in the reverse) I reread “The Photograph as Post-Industrial Object” by Vilém Flusser. In it Flusser asserts that “We are witnessing a cultural revolution”, a revolution consummated by digital images (what he refers to as “electromagnetized photos”) where “one can see how information abandons its material basis,” threatening to usher in “a society dominated by uncontrolled apparatus… thrown back into the terror of blind, absurd automaticity, into a pre-cultural situation.” more

Published: 23.04.2012
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