Tag, Mapplethorpe
16.04.–31.05.2014
4. Whitewash: Artist and Models

When one reads this passage [from Martinique by Michel Cournot] a dozen times and lets oneself go; that is, abandons oneself to the movement of its images—one is no longer aware of the Negro but only of a penis; the Negro is eclipsed. He is turned into a penis. He is a penis. (Frantz Fanon: Black Skin, White Masks)1Fanon, Black Skin, White Masks, (London: Pluto Classics, 1986) p. 169-70. more

Published: 12.05.2014
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3. A Tale of Two Mapplethorpes

A large retrospective of Robert Mapplethorpe’s work has just opened at the Grand Palais in Paris. It is coupled with another Mapplethorpe exhibition at the Musée Rodin where Mapplethorpe’s photographs—I am not joking—are displayed with various sculptures by Rodin.

Mapplethorpe-Rodin, exposition at Musée Rodin, Paris, from April 8 to September 21, 2014 (installation view by Abigail Solomon Godeau).

As it happens, Mapplethorpe did photograph sculptures (torsos, heads, and backs) in ways not so different from those he used to photograph living bodies, although it seems not to have mattered if the sculptures were authentic, copies, classical, neoclassical, or kitsch. Somewhat perversely (I use the term advisedly), the photographs of sculpture are in the Grand Palais show, whereas the pictures in the Musée Rodin are mostly of living bodies (or body parts) as well as the miscellaneous self-portrait or still life. More to the point, what the exhibition really demonstrates is that for good or ill, Rodin’s sculptures, plasters, or small studies have nothing whatsoever to do with Mapplethorpe’s work and vice versa. Why would they? more

Published: 30.04.2014
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01.03.–15.04.2014
4. Geographies of Photography

Over the last few weeks I’ve been laying out some ideas about what photography has become, and have begun to articulate some of the ways I use to think about it. In previous posts, I wrote about replacing a more conventional idea of photography with the idea of seeing machines and put forward the idea of “scripts” to begin understanding how seeing machines function, i.e. how they act upon the world. I wrote about scripts as being the range of activities that a seeing machine “wants” to do, and the range of possibilities that those “wants” facilitate, and the range of possibilities that are foreclosed. To illustrate the idea, I used the example of an Automated Number Plate Reading (ANPR) system, and tried to show how the cameras, shutters, and lenses of such as system are totally irrelevant without the “back end” of signal processing, data bases, analytics, search algorithms, and the like. All of these add up to a seeing machine that “wants” to perform a rather narrow range of tasks, and thereby sculpts the world in some very specific ways. more

Published: 11.04.2014
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