Tag, montage
05.01.–29.02.2016
5. Images in Common

In communicative capitalism, we communicate with words and images – what I’ve been referring to as “secondary visuality.” Communicative utterances that might have once been speech acts – like talking on the phone or sending a letter to the editor – now mix words and images: a text with emojis, an animated gif inserted into a comment thread, a meme. New kinds of visual conversations make stories out of photos and short videos (Snapchat). As interactions that flow across our screens, multiple images envelop us in a montage of humor, horror, the mundane, and the bizarre. Words and images are equivalent. One does not replace or subordinate the other. They intermix, mash, and mingle such that neither alone can be said to be the repository of truth. more

Published: 23.02.2016
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3. Images without Viewers: Selfie Communism

Selfies are a communist form of expression.

The critical reflex is to dismiss selfies as yet another indication of a pervasive culture of narcissism. I disagree. The narcissism critique approaches the selfie as if it were analyzing a single photograph. It views the person in that photograph as the photograph’s subject. Selfies, though, should be understood as a common form, a form that, insofar as it is inseparable from the practice of sharing selfies, has a collective subject. The subject is the many participating in the common practice, the many imitating each other. The figure in the photo is incidental. more

Published: 01.02.2016
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2. Images without Viewers: Emoji

A smiley face streaming tears of joy was the Oxford Dictionaries’ 2015 word of the year. That an emoji is not a word didn’t matter. Or, better, it is what actually did matter. “Face with tears of joy” was chosen to mark the fact that images are taking the place of linguistic expression of feelings and ideas. They are blending into, merging with, and displacing words and sentences in digitized personal communication. Visuals accompany and absorb text just as physical gestures augment oral communication. Multiple, repeatable, and generic images are less “of” than they are “for”– for circulation in the rich media networks of communicative capitalism. more

Published: 18.01.2016
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4. Optics and Desire

In 1996 I was living in Brixton, south London, during a very hot summer. On July 12 Nelson Mandela came to visit and the crowds turned out to greet him in the thousands. I had been active in the anti-apartheid movement and gathered with some friends opposite the main sports hall where Mandela was due to arrive and address some local dignitaries. As Mandela and his entourage approached the steps of the hall the crowd was ecstatic. I had never seen such emotion and tears of joy.  Mandela stood before us. He waved, smiled and then disappeared with the throng around him into the hall. We had waited hours to see him, and in a very real sense many people there had waited decades to see him.  So actually setting eyes on the man was intense, to say the least. more

Published: 17.05.2013
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