Tag, photographic document
5. Popular, not Populist

My apologies for the extended silence. I have been putting the finishing touches to a book about the relation between popular culture, art and photography, which will also be the subject of this blog entry.

It seems generally accepted now that photography became a modern medium of art in the 1920s. This was when it gave up its resistance to the widespread industrial basis of photography (Pictorialism is thought to have typified that resistance) and came into a close or parallel relation to the medium’s various social functions. Photography triumphed artistically by remaking, diverting, re-presenting or otherwise contemplating its ‘applied’ forms such as the document, the film still, the advertisement, the commercial portrait and the archival image. more

Published: 27.05.2013
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5. The Production of Documents

“In history everything begins with the gesture of setting aside, of putting together, of transforming certain classified objects into ‘documents.’ This new cultural distribution is the first task. In reality it consists in producing such documents by dint of copying, transcribing, or photographing these objects, simultaneously changing their locus and their status.” 1

In The Writing of History (1975), Michel de Certeau criticized the perception of documents and archives as dormant sources waiting to be collected and interpreted by historians. more

Published: 08.04.2013
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