Tag, poetry
01.06.–15.07.2013
3. Blind Spot

Not too long ago, I was combing through an antique store in a California town populated today mostly by the remnants of the counter-culture. There was a large selection of used books. To my surprise, I came across a copy of a monograph I had long wanted for my library, Mary Ann Caw’s volume on the photographer Dora Maar. Hippie villages, even post-hippie villages, always have the best bookstores. more

Published: 20.06.2013
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2. The Philosophers

And I ask: How did the beauty of that hair,
those eyes, beguile our forebears?
How did that mouth kiss, to which desire
curls up senseless as smoke without fire?

Thus Walter Benjamin breaks into poetry, citing the writing of Stefan George, in the 1931 essay “Little History of Photography”—this essay so strangely titled, sharing its self-stated size and density and intensity, we might say, with the object of its analysis, with photography itself—its images formerly miniaturized and condensed. What is a “Little History,” I’ve always wondered? The best I have come up with is that Benjamin’s is a text that wants to correspond with its object, an essay that wants to be like photography itself. more

Published: 11.06.2013
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2. Theory versus Instinct

Thank you Prateek, David, Ray, Martin and Stuart for your varied responses. With each I am tempted to take the blog in a different direction; but that might take promiscuity a little too far!

The question of ‘theory’ comes up, in different ways, in the responses of both David and Stuart, and I found David’s notion of the blurring of lines between theory and literature, especially in the way Phillips reads Freud and Winnicott, particularly alluring and useful. I have always found Barthes’s Lover’s Discourse and Incidents more inspiring than Camera Lucida, for photographers as well as writers on photography – and inspiring in a more oblique, tangential way. (They could be read as Barthes’s great ballads of sexual dependency.)  more

Published: 07.03.2012
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