Tag, Renaissance
1. Image and Programme

As an attentive reader has pointed out to us, the word ‛programme’ appears in our book Softimage within a family of terms: algorithm, software, computation, processing, programming. If these terms, all gravitating around digitalization, seem almost interchangeable, we are in fact using the term ‛programme’ in a larger yet very specific sense, that of the programme of the image, or the image as a programme, which is not a condition that emerged with digitalization, but one that dates back to the Renaissance. Our first blog will explore the way the programme of the image develops in the 15th century in an intricate relation with the political programme of the time and the birth of the humanist episteme. more

Published: 04.03.2016
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01.06.–14.07.2012
5. Photography and Humanity

In the catalogue essay to the 1981 exhibition he curated at MoMA under the title Before Photography, Peter Galassi traces photography’s origins in relation to the history of Western painting. Much more than being the offspring from a fruitful juncture of scientific, cultural, and economic determinations, Galassi argues, photography is the final, perfected result of centuries-long pictorial efforts to depict the world. The photograph, he writes, possesses an inherently modern “pictorial syntax of immediate, synoptic perceptions and discontinuous, unexpected forms.” more

Published: 09.07.2012
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