Tag, Talbot
15.09.–31.10.2012
4. Photography and Authorship

My previous post touched on the complications that arise from photography’s dependence on a negative-positive system of reproduction, a system that divides the photograph from itself but also divides the act of photographing into a number of separate elements, each of them able to be undertaken by different workers. The authorship of individual photographs is therefore often a collective enterprise stretched over a considerable time period, even though this fact tends to be repressed in our historical accounts of photography. Those histories instead privilege individuals and the logic of individualism and this allows them to avoid having to address the complexity of authorship in all its various manifestations. more

Published: 07.10.2012
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3. Still Searching: “the dark, repressed side”

My previous post briefly mentioned the negative as one crucial component of the identity of many photographs. It is, nevertheless, an aspect of that identity often ignored by histories of photography, where negatives are rarely reproduced or discussed at any length. Negatives, it seems, are truly the repressed, dark side of photography’s history. True, there is a conference (could it be the first?) on the negative being planned for Munich in February. But my interest is not in reviving the study of the negative as an object unto itself (although photographers in the nineteenth century did often exhibit their negatives, to display their technical prowess) but in pursuing the consequences of the reproductive economy that photographic negatives represent. more

Published: 01.10.2012
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